Friday, August 13, 2010
Aug. 8th - 14th: Serendipitous Moments of Media
"Is this Finally the Economic Collapse?"
"Iran set to execute 18-year-old on false charge of sodomy."
"Muslim Inbreeding: Impacts on intelligence, sanity, heath and society"
States that allow marriage to first cousins vs. States that allow gay marriage.
Thousands of dead fish wash ashore in the North East for the second time in a week.
"Minnesota Under Attack from Sharia Law"
"50 Ways to Build Your Optomism"
"Hiding in Plain Sight"
"Cleared, and Pondering the Value of 27 Years."
"A Mosque at Ground Zero?"
Eat, Pray, Love.
http://justinraphaelroykovich.blogspot.com/
Thursday, July 15, 2010
Work of (f)Art: The Next Great "Art Pussy."
Wednesday, July 14, 2010
You know what . . .
. . . hey, I am all about fashion. I'm gay, it's in my genes, I can't help it. However, when your coat looks like it was designed by Lord Voldemort on a meth binge at a rave, I draw the line.
Image via Details Magazine, August 2010 Issue.
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On a side note, yes I know- long time no update. Hopefully that will change. Although I do have 30 other blogs. Have you checked those out? Hmmm?
Tuesday, April 27, 2010
Monday, April 26, 2010
Monday, April 19, 2010
Saturday, March 13, 2010
Welcome Lady Gaga, the mistress of death to the Postmodern.
Gaga refers to her music as “soulless electronic pop” and says things like “we’ve already killed everything” and “the apocalypse has already happened.” Her sensational aesthetic has a divisive effect and tends to generate one of two reactions: She is either the most awful, most infuriating cretin ever to crawl out of corporate entertainment, or she’s an ingenious Warholian synthesis of David Bowie and Madonna with admirable Jay-Z-style business savvy.
Both positions overlook why the Gaga “fame monster” is a significant development in pop culture: Her persona is so infectious because it is the most accurate reflection we have of capitalism’s mutagenic effects on the human form and psyche. Her music is just a pretense, a rationale for her celebrity. She is the bizarro Paris Hilton. The manipulation of capital is her true art, and the “Haus of Gaga” is not a fashion/performance collective but a new breed of PR firm.
Even more crucial is the cultlike passion that she inspires in her followers. It demonstrates how, even long after its death, postmodernism’s specter will continue to beckon us toward the apocalyptic future that the “fame monster” so wantonly desires."
For the full article, go here.
Just on a side note, I will still dance my ass off to "Telephone" at the club. But I will have to train myself not to imagine Gaga looking like an American Gladiator reject while doing so.
