Monday, November 24, 2008



I am totally intrigued by this picture, and not really because of anything that has to do with the actual installation, which is a work by Jun Nguyen Hatsushiba and can be found at www.mizuma-one.com.

It is really interesting to me the way that the surrounding objects all look like satellites orbiting the earth, and that they are all objects of various ambiguity, at least through the picture. It is interesting to apply a juxtaposition of say, celebrity (having the satellites be cameras) or people watching, or maybe taking it further to surveilliance or control. Also, if thinking about satellites, they are man made objects to watch us, and in turn, what are they watching? Do we have control over what they see and who can see it? I don't know, not to sound trite, but it also remind me of that scene in Wall-E where the entire Earth has been covered in this mechanical cloud of satellites from BnL. It's like, how much technology do we need before it's just clutter?

Tuesday, September 23, 2008

Thoughts

I began to wonder today if I color my body in a subconscious attempt to erase my whiteness.

Wednesday, September 17, 2008

"How the Art World Became the Last Party in Town"

From Details Magazine, October 2008.
by Simon Dumenco

In light of Damien Hirst's latest auction, as well as others selling work, waiting for the art bubble to pop, this article is very interesting in terms of wondering how and when it will end. I don't know, part of me can't help but think about taking Jeff Koon's balloon animals and putting a "Ty" beanie baby tag on them, or using Takashi Murikami sculptures and making Pokemon cards of them. All in all, meaning that this too will have an end and I am wondering what all of this will be worth when it does end. Will the art be in fact worth millions, even as a signifier for the time that we all lived in, or will it just gradually decline like all other fads.

In any case, the last paragraph of the article is very interesting:

"Not far from where Murikami is standing, an auction assistant whose hob it is to call attention to subtle bidders points vigorously at an aging blue blood. Given that the potential buyer is white and her appointed auction helper is not only dark-skinned but wearing white gloves, there is something vaguely colonial about the tableau. But it's not entirely clear who's serving whom-or who's using whom. The artist, of course, can't survive without the collector, the collector has nothing without the artist, and both are in thrall to a market that may or may not be delusional. Meanwhile, the drone of the auctioneer ticking off bid increments would be almost soporific were it not for the fact that tens of millions of dollars are being spent every few minutes."

I also want to add to this that I can't decide if Terrance Koh is brilliant, or just another art world fraud who is unoriginally playing on past themes, theories and ideas to capitalize on being a celebrity, even if it just is in the art world.

Wednesday, September 3, 2008

What Olympic gold says about diversity in America

Commentary: What Olympic gold says about diversity in America
Originally on cnn.com

With the 2008 Olympics in Beijing coming to an end this weekend, it's as good a time as any to think about what it means to be an American.

And to help us do that, let's turn to a pair of recent and seemingly unrelated stories that fit together, as Latinos say, como anillo al dedo (like a ring on a finger).

First there was the disappointing news that Hillary Clinton's former chief strategist, Mark Penn, urged Clinton to attack Barack Obama for not being "fundamentally American in his thinking and in his values" because -- according to Penn -- his "roots to basic American values and culture are at best limited."

How about that. Before Republicans were accused of playing the race card, it was a Democrat who proposed playing "the American card."

Fortunately, Clinton rejected the advice. Some of her other advisers feared it could backfire.

So what have we learned? Apparently, Penn -- a white male -- isn't enamored of multiculturalism and the view that America is less a melting pot than a salad bowl whose ingredients preserve their uniqueness. In fact, Penn insisted, Obama's background could be used against him in the court of public perception.

"All these articles about his boyhood in Indonesia and his life in Hawaii are geared toward showing his background is diverse, multicultural, and putting that in a new light," Penn wrote, according to an article by Joshua Green in Atlantic magazine. "Save it for 2050."

Save it for 2050? Why Mark, whatever do you mean?

Probably this -- last week, the Census Bureau reported last week what demographers, political consultants, and marketing strategists have known for years: Minorities will be the majority in America by -- wait for it -- 2050. The whole notion of what it means to be an American is about to change. Again.

Right now, non-whites make up about a third of the U.S. population. But, by 2050, 54 percent of the population will be minorities. The Hispanic population is expected to triple between now and 2050, going from 46.7 million to 132.8 million. And by 2050, more than one in four Americans is expected to be Hispanic.

The Asian-American population is projected to increase from 15.5 million to 40.6 million making almost 10 percent of the population of Asian background by 2050.

One reason is birthrates. They are higher for minority groups than for whites. According to other Census figures released this week, white women in the United States now have an average of 1.8 children. Hispanics and African-Americans have an average of 2.3 and 2.0 kids, respectively.

That is the reality creeping around the corner. Immigration restrictionists know it. Inflammatory radio and cable personalities know it.

Barack Obama knows it. He was ahead of the curve last month when he told supporters: "You need to make sure your child can speak Spanish." And, judging from the panic-stricken reaction, it wouldn't hurt to also teach a little tolerance to adults -- especially the culturally insecure.

And of course Mark Penn knows it. He seems to have figured out that many Americans are anxious about changing demographics and worried about having to adapt to new surroundings. No wonder he was ready to rail against multi-culturalism -- and a multi-cultural opponent.

The year 2050 will be here before you know it, and all too soon for some people.

Those folks need to calm down. America's face is constantly changing. But its heart and soul are rock solid. And so is its spirit.

Just ask 21-year-old wrestler and Olympic gold medalist Henry Cejudo. The U.S.-born son of illegal immigrants, Cejudo was raised in humble surroundings by a single mother who worked two and sometimes three jobs to provide for her children. His father died when he was a child. A longshot to win any medal since he had so little world-level experience, Cejudo credits his mom with teaching him how to become a champion.

"I never played the victim," he told reporters. "My mom taught us to suck it up. Whatever you want to do, you can do, and that's what I did."

And those skittish uni-culturalists needn't worry about this one.

"I'm proud of my Mexican heritage," Cejudo said. "But I'm an American. It's the best country in the world. They call it the land of opportunity, and it is."

The kid figured it out. Many will object to how Henry Cejudo's parents came to the United States. Some might say that as the child of illegal immigrants, he doesn't deserve U.S. citizenship and shouldn't be allowed to stay here. But I can't think of a better place for him. Just listen to his words. There is no doubt that he is -- to borrow a phrase -- "fundamentally American in his thinking and in his values."

The opinions expressed in this commentary are solely those of the writer.

Friday, August 15, 2008

If it weren't for his cock, he'd be a hobo riding the trains around the country.

From Details Magazine, March 2008
"Is being well hung the key to happiness?"
by Ian Daly

"If it weren't for his cock, he'd be a hobo riding the trains around the country. It's opened doors for him. Rich women put him up at their apartments."
pg. 164

"Welcome to the age of self-promotion: Forget hard work. The only way to get ahead now is to toot your own horn."
by Mike Albo
pg. 172

From Details Magazine, April 2008

Articles of interest:
"Would you REALLY be ok with a gay kid?"
by David Hochman
pgs. 112-114

"2008 Mavericks"
"Mavericks are incorrigible. They habitually ruffle feathers. They cut through the bullshit."
pg. 149
(except maybe inclusion of Ryan Seacrest . . . although who knows)

"Are you in a bromance (or is it just a man crush?)"
by Simon Dumenco
pg. 218
Selected Quotes:

"Homosexuality, of course, used to be known as the love that dare not speak its name - until, thanks to the gayification of pop culture, it became the love that wouldn't shut the hell up."

"The fact that some guys now not only admit to same-sex infatuation without suffering a paralyzing identity crisis but ANNOUNCE thm amounts to a seismic cultural shift."
JRR: I agree with this . . .

"'The word homosexual didn't even exist until the late 1880s or 1890s' says (Geoffrey Greif, a professor at the University of Maryland School of Social Work). He (also) adds that once upon a time, expressing same-sex admiration was the norm among red-blooded frontiersmen who didn't have the conceptual framework to fear that they might be labeled homos. 'A lot of the founding fathers of our nation would write letters to their male friends saying 'I can't wait to see you again. I love you; I can't wait to get together with you,' (Greif) says. 'Somewhere over the last 125 years, it became no longer okay for a man to present himself that way.'"
pg. 220

JRR: But I also feel like this is severely limited in terms of geographic location and demographic. I also do think that something has happened to masculinity over the past century to make the societal constructs of what "being a man" should really consist of, I don't think that homosexuality is now "the love that (won't) shut the hell up." If anything, it's still the love that is ridiculed and mocked, hence the 80 thousand Brokeback Mountain jokes that are still being tossed around.